Classic Quadrophenia in the USA came to a close on Saturday night at the Greek Theatre, LA.  Luckily, our roving US reporter, Roberta Kappus was on hand to review for us.

As the saying goes “Alfie never disappoints” and he certainly didn’t at The Greek Theatre.  He came bounding onto the stage to applause with the same enthusiasm and energy as his first night at Tanglewood and accelerated from there.  From the beginning Alfie tried to encourage the audience to join in singing but this audience was a little more laid back as although some joined in, most were happy to enjoy Alfie’s singing.  I hasten to add this was not indicative of any lack of appreciation of Alfie’s performance; there was more applause for Alfie throughout the show than at any other venue I attended.  The Real Me, his opening song, was interrupted by applause three or four times. In addition to noteworthy shouts and applause there were scattered standing ovations at the ends of many songs. It seemed as though Alfie was reading the audience very well and the audience seemed happy with Alfie as applause and shouts of approval came throughout the show.  The audience seemed especially appreciative of Alfie’s punctuation of songs with dramatic arm gestures along with all the legwork.  Alfie’s exertions were in no way inhibited by the warmth on the stage.  It was not a large stage and the orchestra seemed a bit cramped.  Alfie wiped his brow numerous times, finished at least one water bottle which he tossed into the crowd and during the second half stripped off his jacket, tossing that aside.

Only professional cameras were prohibited and when Billy Idol made his entrance so many phones went up you could not even see the stage.  Alfie and Billy played off each other very well in their duets, with both snarling.  Pete was greeted with a standing ovation as has been the case since the beginning of the tour.  His dancing with Alfie went up a level at The Greek with all the steps being very pronounced followed by several twirls.  His guitar playing was once again masterful.

My take on Alfie as a performer is that he puts a lot of thought into his performance and keeps on thinking about it and adjusting throughout the run. It is one of the reasons that I can see the same show multiple times.  It simply isn’t the same show even though the words and the songs are the same.  With Classic Quad this was best exemplified in Love Reign O’er Me.  Alfie fills this song with such physical and vocal intensity that there does not seem room for adjustment and yet he finds ways.  At the Met he sank to his knees and leaned back on the final “Love” in the song. At The Greek Alfie walked out onto a darkened stage during the symphonic introduction, crouched down in the very front and centre of the stage, stayed there unmoving and then began singing from that position.  After he had sung several bars he rose to a standing position and continued with what seemed like an added intensity to the final “Love”. The audience responded with thunderous applause and a standing ovation.

Thus ends five performances of Classic Quadrophenia in two weeks. From the first to the last Alfie gave totally outstanding performances.  His singing was superb; the emotion he poured into song after song incredible; the power of his voice at each performance remarkable.  Without a doubt Alfie owns this role.

Thank you once again to Roberta for a fabulous review, the next best thing to being there.

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With the Together Again tour coming ever closer, and the Australian tour even closer, it’s time to find out which song is really the fans favourite.  Thank you to everyone who sent in their nominations, we have six new songs added to the list.  Will last year’s winner, Run, win again?

To help you decide, here is the playlist of all the songs nominated:

Get voting – you should be able to vote multiple times!

Voting will close at the end of next week and we’ll begin counting down shortly after!

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What was the highlight of your TV viewing last December?  Well, mine was Ball and Boe One Night Only on ITV – and I’m willing to bet most of you, at least those in the UK, will agree with me.  It was such a success that Alfie and Michael are teaming up again this year – and the tickets are available from today!

Guaranteed to be one of the hottest and smartest tickets in town, Ball and Boe Back Together will see Michael & Alfie performing classic songs from the West End as well as a few very unexpected music exclusives! They’ll also be collaborating with some special guests and enjoying plenty of laughs along the way.

To apply click here.

Here’s a look at the show from last year – can’t wait to see what they do this time around!

Good luck if you apply!

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This weekend saw the second and third performances of Pete Townshend’s Classic Quadrophenia, this time at The Met in New York.  Just prior to this, Alfie and Pete appeared on The Tonight Show with Jimmy Fallon, an appearance that gained Alfie a whole lot more fans, judging by the social media reaction.

For those of us not lucky enough to be there, our regular New York reporter, Roberta Kappus was in attendance and has sent us her review.  This time, however, it’s a joint effort with Annie Lloyd and another regular reviewer, Cecelia Powell.

Saturday 9 September marked Alfie Boe’s debut at the Met and it was amazing.  The vehicle, Pete Townshend’s Classic Quadrophenia, is unusual for the Met but with a symphony orchestra and choir conducted by Robert Ziegler and the power and range of Alfie Boe’s voice there is no doubt that the setting was right.  The audience not only agreed but enthusiastically showed their appreciation throughout the show.  People had come from thousands of miles and different countries to be at there and it was a diverse group: Robert Ziegler fans, Pete Townshend fans, Billy Idol fans, Alfie Boe fans and those who just really liked Classic Quadrophenia.

Alfie’s entrance was both typical Alfie and unique to Saturday’s show. He came bounding on stage at break neck speed, punching the air, jumping and leaping, going right into The Real Me.  The audience loved it – the applause was instantaneous at Alfie’s appearance and at least five times during this song alone, the audience burst into further applause.  Throughout, Alfie was in constant motion, completely owning the stage.  He covered the whole area, moving left to right and back again and it’s a big stage.  His jumping was spectacular, with legs going in different directions. That got a tremendous response.  Alfie’s voice has never been stronger.  Every word was clear.  All the notes hit perfectly. This was Alfie in his element giving everything he had.  There was no sign he was pacing himself for two nights in a row.

Not too long into the show the audience became part of the performance. Clapping with the music was encouraged and every time Alfie held out the microphone the audience responded.  And in typical Alfie fashion he had the audience on its feet dancing along with the music.  The audience was loving Alfie and Alfie was loving them back. F*@k  was delivered at full force with Alfie at the front of the stage and a great deal of accompaniment by all of us. There was a slight mishap with Helpless Dancer which just added to a memorable evening.  Alfie started with words from the middle of the song! This is sung with Pete who just continued on from where Alfie had begun, although as Alfie realised his error,  he stopped singing and cued Ziegler to start again.  To paraphrase Alfie if you are going to mess up make sure you do it at the Met. Turning to face the audience he loudly pronounced “I’m fired.”  It was all handled very well and with great confidence by Alfie. There was no awkwardness involved and Alfie began the song again this time with the correct words and the audience applauding.

As can be expected, Billy’s entrance  was greeted by loud applause and Pete’s appearance earned thunderous applause and a standing ovation.  Pete was more intense than I have seen him in prior performances even breaking into a monstrous air guitar routine to the delight of all and mimicked Alfie’s dance steps as he had the prior Saturday at Tanglewood.  Over the two years since the world premiere at the Royal Albert Hall, the relationship between Pete and Alfie seems to have moved on.  At RAH Pete was the boss; Now, while Alfie may still be in awe of him they are clearly friends.  Ziegler had his share of fans in the audience with a number of people standing and applauding when he first appeared on stage.

Finally, as the orchestra began the intro to Love Reign O’er Me it seemed as though there was a collective intake of breath from the audience in anticipation.  Alfie more than nailed it.  It was the best any of us have ever heard.  The lushness of the orchestration, the richness and power of Alfie’s voice combined with the majesty of the Met made this the perfect venue for the song and it was more than appropriate that Alfie put his whole being into singing this. A thunderous standing ovation followed. It was truly an honour to be at there.

Thank you Roberta, Cecelia and Annie for a wonderful review – and let’s face it, it wouldn’t be Alfie if he didn’t mess up somewhere or other!

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We may only be in September but the countdown to Alfie Boe and Michael Ball starts here!  Alfie has Classic Quad and the pair go to Australia in a month, not to mention the promotion of the album but Ball and Boe Together 2017 starts in three months!

To while away the time before then, let’s go back to a good old poll – this time to decide on the 2017 fans favourite live song from Alfie.  Nominations are now closed.

Here are last year’s choices to help you choose (they aren’t in the right order):

Voting will commence in two weeks and number ten will be revealed the week after after that.

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Another year rolls around to September which means that it’s time for Alfie’s birthday (29 September).  To celebrate, Alfie is once again donating his birthday to Nordoff Robbins, the music therapy charity for which he is an ambassador.  Alfie said about this now annual fundraiser

I am proud to once again be donating my birthday to Nordoff Robbins for what will now be my sixth year! I am prouder still to call myself an Ambassador for this wonderful charity, whose music therapy work has changed so many lives. But unfortunately they receive no government funding, so with your support and your generosity together we can help to ensure that their music therapy is available to all those who need it, and so that they can continue changing lives for years to come. Join me in supporting them this year and let’s use this opportunity to celebrate this charity, and the power of music!

And Alfie has also sent us a short video message:

Alfie became an ambassador for Nordoff Robbins in November 2011 following his win of the PPL Classical Award at the 2011 Nordoff Robbins O2 Silver Clef Awards. His ambassadorship was launched alongside the 2011 Christmas appeal which he spearheaded.  When I spoke to CEO Julie Whelan last year, she mentioned how important Alfie and other ambassadors are to the charity: “Alfie Boe is someone who gives his time to support us and also, through his fans he brings a whole new set of people who are aware of Nordoff Robbins and what we do.  Having that has made us much more confident as a charity”.

Ever since, Alfie has dedicated his birthday to the charity and his fans have responded with enthusiasm, raising over £9200.  Wow!  Do you think we could get over the £10,000 mark in 2017?  I bet we can – click here to donate (choose Alfie Boe from the drop down menu).  The video below shows Alfie supporting Nordoff Robbins in 2015, alongside their choir and singer Miel de Botton:

Nordoff Robbins as a fundraising charity recently celebrated it’s fortieth year, but the foundations of the therapy itself go back to 1959 when Paul Nordoff, an American composer and pianist and Clive Robbins, a special education teacher first developed collaborative music making which they termed ‘therapy in music’. Over the next fifteen years, this therapy was developed and delivered all over the world with the first centre opening in South London in 1970. Programmes for adults began in the latter part of this era. Since then, the charity has grown and grown and is now the largest single music therapy organisation in the UK, dedicated to transforming the lives of vulnerable and isolated people. Although Alfie’s special area of interest is providing music therapy and education for children, this is by no means the only group to be helped. People with dementia, depression, terminal or chronic illnesses and people with brain injuries are also amongst the recipients of the specialist therapy available. In some cases, music therapy is part of palliative care. In addition, the families and communities of those who receive therapy are also helped, thus ensuring a broad reach approach.  The video below demonstrates what they do:

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Saturday 2 September was the first date on the five date US tour of Pete Townshend’s Classic Quadrophenia. Two years on from the world premiere at the Royal Albert Hall, the show bounded onto the US stage at Tanglewood and featured the Boston Pops orchestra and choir, conducted by Keith Lockhart (Robert Ziegler, original conductor of both the concert and recording, will replace Lockhart for the remaining dates).  This concert was something that many US fans had hoped fervently would happen and our regular stateside reporter, Roberta Kappus, was among them.  Here is her review:

It was apparent early on that the audience was familiar with both Quadrophenia and it’s classical partner as  they not only knew all the words but also the music as evidenced by the applause  and verbal approval at several points before the vocals began.  I love the orchestration.  It is lush, lavish, rich and Lockhart and the Boston Pops did it justice. The audience showed its knowledge and appreciation throughout by cheering and applauding as certain segments achieved the anticipated expression and/or punch.

People had driven hundreds of miles to see this. They had come from other countries. For most of them Pete Townshend and Billy Idol were the drawing cards; Boe was an unknown quantity even though a Classic Quadrophenia album had been released two years earlier. Reflecting this, both Townshend and Idol were greeted on stage by thunderous applause.  However, with the power of his voice and intense energy Boe held his own when performing with these two giants; indeed, as Townshend has said on several occasions most of the vocal work falls to Boe.  The mutual respect Townshend, Idol and Boe have for each other was palpable during the performance. As someone else commented, we watched “…a world class tenor slide on his knees across a stage ending up at Pete’s feet.” It was an evening filled with amazing moments and this was one of them.

It was also an evening marked at certain points with camaraderie and just plain fun.  Part of Boe’s choreography is a side to side bounce going from one foot to the other.  This, along with other jumps and spins that Boe has frequently incorporated into other performances propelled Boe around the stage last night with Townshend and even Lockhart joining in from the podium.  Townshend went so far as to add a ballet spin with one arm curved over his head at the end of a side stepping moment and then gave Boe a kiss on the forehead before leaving the stage.  When I saw Boe at the stage door after the show (he was kind enough to stop and sign programmes and tickets) I asked him if he had had as much fun on stage as it seemed. He responded that this performance had been a lot of fun for all of them.

Looking back it almost seemed as though the first half had been a test which Boe and Lockhart had passed.  After the intermission they returned to the stage together to huge applause which had not been there at the start of the programme.  During the second half the audience was more than ready to help by singing the rest of the songs. Anyone familiar with Boe knows he loves audience participation and this was no different.  He was signalling with hand gestures for people to join in which they did; the audience was singing the choir’s parts, Boe was responding and everyone was having a good time.  Lockhart even joined in, clapping along while conducting.

Climaxing the show was Love Reign O’er Me with its brilliant symphonic intro.  Boe’s vocal power and range, his intensity, his immersion into the part resulted in a performance that can only be described as an unequalled tour de force that brought the audience to its feet where they remained through the curtain call, the presentation of the flowers to all the principals (with everyone but Fuller and Lockhart tossing them into the audience) and the encore which was The Real Me with everyone on stage singing it.  The standing ovation continued through everyone’s departure from the stage including the orchestra and choir. It was as though a spell had been cast over everyone inside the Shed and no one wanted to be the first one to break it.

Wow, what a fabulous review Roberta, sounds like everyone had a great time…and I’m sure Alfie came away with a lot of new fans.  Here’s a short video from the evening:

Classic Quadrophenia is available here:

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…at the opening of the Blackpool Illuminations:

Another one for those who like the fresh faced Alfie as opposed to those who prefer the beard – no guesses which camp I’m in!

In 2006, Alfie was promoting his debut album, Classic FM Presents and the music choice reflects that, starting with Jerusalem and ending with the classical crowd pleaser, Nessun Dorma.   Alas, at that time, despite being well known locally, Alfie wasn’t well known enough to actually turn on the famous illuminations; I bet they’d love to have him do it now though!  Next year Alfie?

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As August winds to a close and Classic Quadrophenia in USA gets closer (less than a week!), it’s time for another look at your favourite Alfie Boe songs.  This week it’s the turn of Helen Linden, who first heard Alfie sing in 2010 at the Les Miserables 25th anniversary concert. Helen says “I’d never even heard of Alfie Boe up to this point – it was my then sixteen year old daughter who persuaded me to go with her to see Marius as she was a massive Nick Jonas fan.  That’s when I discovered Alfie and have been a fan ever since.

These are Helen’s six sensational songs:

Caruso, chosen “because I love the tone of Alfie’s voice for this dramatic song. It’s a powerful melody and how Alfie manages to fit in all the words, I’ll never know! It was a favourite of my Dad’s when Pavarotti used to sing it but I think Alfie does it better.”

Chitarra Romana, added to Helen’s list of favourites when Alfie performed it at the MEN arena in Manchester. It was just a joy to hear Alfie singing this upbeat song on the sofa with Murray and the rest of the band.

The First Time I Ever Saw Your Face, chosen because it’s one of Helen’s favourite songs and “when I heard Alfie singing the first line….followed by ‘I was sick’, I just roared with laughter. It took Alfie a while to get back ‘n the zone’ but love how he doesn’t take himself too seriously.”  I couldn’t find that particular video so I included another where he was clearly enjoying himself with a laugh.

Volare, chosen because “I just love this song and Alfie’s interaction with the audience during this one. I even brought Castanets to play during one of the shows!”

Love Reign O’er Me, from Classic Quad.  As Helen says, “not an easy song to sing but Alfie just nails it. And that last note. Well, what can I say?”  Having written about this song for to years now, I agree that there aren’t enough superlatives to do justice to Alfie’s voice on this song and indeed the whole album.

The song that started it all for Helen: “I first heard Alfie sing this back in 2010 at the O2 for the Les Miserables 25th anniversary concert. I’d never even heard of Alfie Boe up to this point.  But I was hooked, just like so many others after hearing Alfie Bring Him Home. It’s my favourite favourite Alfie song and I never get tired of hearing him sing it.”

Love Reign O’er Me and Bring Him Home now tie with A Living Prayer as the most chosen songs for your choice of Alfie Boe’s Six Sensational Songs and nice to see three new songs in this series.  Thanks Helen for sharing your songs with us.  If you would like to share your six sensational songs with us, please fill in the form:

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August is traditionally a quiet time for Alfie Boe and his fans and 2017 is no exception.  How lucky then that we have Eliane’s Six Sensational Songs to keep us going!  Eliane is from Brazil and first started following Alfie after seeing him at the Queen’s Diamond Jubilee in 2012 – here are her six songs.

O Sole Mio / Now or Never – Eliane says “unforgettable, the first time I’ve seen or heard Alfie”.

I’m showing the clip of Trust instead of a full performance as Elaine fell in love with this and it’s now her ringtone!

Dimming of the Day – Eliane’s heart “gets tight, especially in the line ‘I see you on the street in company'” – I’m right there with you on that Eliane.

My Heart is Yours, chosen because Eliane “loves the sweetness and poetry of the lyrics” which as we know, were written by Alfie himself.

Parlami D’Amore Mariu, because Eliane “loves Alfie singing in Italian” – a lot of fans would agree!  This performance is from way back in early 2012.

For the third time, Love Reign O’er Me from Classic Quad has been chosen to be part of this series, making it equal to Fratello Sole, Sorella Luna and second only to A Living Prayer.

Thanks Eliane for your choices – yet again, I’m amazed that each selection gives us at least one song not nominated before.  Altogether we have chosen thirty nine Alfie songs – impressive!  If you would like to join the series, please fill in the form:

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